This page serves as a visual portfolio, highlighting selected client projects we've completed. For a deeper look into our process, capabilities, and deliverables, please visit the related Service pages. Those entries provide detailed explanations, additional examples, and a clearer view of our approach.

An exhibition at the Lehman College Art Gallery exploring the imaginative worlds of contemporary artists who construct fantastical architectural spaces—soaring cities, dreamlike structures, and visionary environments that blur the line between reality and invention. The design package for this project included the full exhibition catalog, a promotional poster, an evite, and a folding invitation, all developed to establish a cohesive visual identity that reflected the exhibition’s sense of wonder and conceptual elevation.

Linda Locke, Publication Director, was deeply involved in the design phase, offering invaluable insights and guidance that enhanced the overall presentation.

All design, layout, and typography for this project by Alex Stevovich.

Envy, One Sin, Seven Stories: Adrien Broom was an exhibition at the Hudson River Museum presenting Adrien Broom’s dark, fairy-tale-inspired exploration of envy, created as part of the multi-institution “Seven Deadly Sins” series. The design work for this project included a six-panel folding brochure, a folding invitation, an evite, wall title graphics, caption labels, and a full MTA poster campaign. Additional vinyl borders were developed for the gallery installation, using ornamental motifs drawn directly from Broom’s photographs to create storybook-like frames around the mounted works.

Linda Locke, Hudson River Museum’s Director of Publications, was deeply involved in the design phase, offering invaluable insights and guidance that enhanced the overall presentation.

All design, layout, and typography for this project by Alex Stevovich.

An exhibition at Adelson Galleries surveying seven decades of work by Andrew Wyeth, offering a comprehensive look at the painter’s evolution, technical refinement, and enduring contribution to American realism. The design package for this project included the full exhibition catalog, produced in both print and digital formats, along with a custom wordmark created for the show, which was adapted into adhesive wall lettering for the gallery installation. A virtual gallery tour was also developed for the website to extend access beyond the physical exhibition. Promotional materials included a three-panel invitation brochure, a five-week advertising campaign in The New York Times, and a full-page advertisement in Art & Antiques magazine, establishing a cohesive and far-reaching visual identity for the exhibition.

All design, layout, and typography for this project by Alex Stevovich.

An exhibition at the Lehman College Art Gallery celebrating the role of art and visual culture in education through vibrant works that highlight identity, heritage, and community. The design package for this project featured a custom exhibition title design and wordmark, created for application as transparent adhesive wall graphics. Print and promotional materials included a folding invitation, a bilingual introductory panel (English and Spanish), a bilingual artist panel, and four thematic panels—each produced in both languages—to guide visitors through the major groupings of the exhibition. A bilingual evite and a large gallery banner further extended the exhibition’s visual identity.

Across all materials, the panels incorporated a custom flag motif with branching leaf forms derived directly from elements found in the artworks themselves, creating a cohesive symbolic thread throughout the exhibition.

Linda Locke, Publication Director, was deeply involved in the design phase, offering invaluable insights and guidance that enhanced the overall presentation.

Design, layout, and typography for this project by Alex Stevovich.

An exhibition at the Lehman College Art Gallery examining the ongoing struggle for human rights and civil liberties through contemporary artistic expression. The design work for this project included the full introductory wall panel, a striking wall-titling graphic that set the visual tone for the galleries, and a series of poem panels integrated throughout the exhibition. These elements worked together to create a cohesive interpretive environment that supported the artists’ messages and guided visitors through the thematic arc of the show.

Linda Locke, Publication Direction, was deeply involved in the design phase, offering invaluable insights and guidance that enhanced the overall presentation.

Design, layout, and typography for this project by Alex Stevovich.

An exhibition at the Hudson River Museum featuring wall panels, poetry displays, wall lettering, a custom exhibition wordmark, a folding invitation, and an MTA poster campaign. The design drew from the historical and presidential nature of the material, with an emphasis on academic clarity and an oval portrait motif used throughout the panels and graphics.

Hudson River Museum’s Director of Publications, Linda Locke, was closely involved in the design phase, offering insights and ideas that provided invaluable support and helped elevate the project.

All design, layout, and typography for this project by Alex Stevovich.

An exhibition at the Hudson River Museum celebrating Jordan Matter’s dynamic photographs of dancers integrated into everyday environments, capturing moments of spontaneity, movement, and joy. The design work for this project included a folding invitation, custom wall lettering and adhesive graphics, the introductory wall panel, a series of photo-group panels organizing the exhibition’s thematic sections, and caption labels for each artwork. Promotional materials extended into a full MTA poster campaign and a coordinated newspaper advertising campaign supporting the exhibition throughout its run.

Linda Locke, Hudson River Museum’s Director of Publications, was deeply involved in the design phase, offering invaluable insights and guidance that enhanced the overall presentation.

All design, layout, and typography for this project by Alex Stevovich.

An exhibition at the Hudson River Museum featuring a full graphic design package for the introduction and artist wall panels, as well as materials supporting a companion presentation of Thomas Cole’s work that contextualized Doyle’s sculptures within a broader artistic lineage. The project included an MTA poster campaign, a five-panel folding brochure, opening-night invitation design, and a newspaper advertising campaign, all unified through a visual language that reflected the exhibition’s thematic interplay between miniature worlds and sweeping narrative landscapes.

Hudson River Museum’s Director of Publications, Linda Locke, was closely involved in the design phase, offering insights and ideas that provided invaluable support and helped elevate the project.

All design, layout, and typography for this project by Alex Stevovich.

An exhibition at the Staten Island Museum presenting a comprehensive retrospective of artist Betty Bressi, highlighting her contributions to printmaking, design, and visual arts across several decades. The design work for this project included the exhibition titling, developed as a custom wordmark, along with a two-panel brochure that introduced the themes of the retrospective and provided visitors with contextual insights into Bressi’s life and artistic practice.

All design, layout, and typography for this project by Alex Stevovich.

An exhibition at Adelson Galleries presenting a focused selection of Mary Cassatt’s works on paper, highlighting her mastery of line, composition, and intimate portrayals of everyday life. The design work for this project included a custom wordmark created specifically for the exhibition, which was adapted into the gallery’s wall lettering to establish a refined visual identity. Additional materials included a virtual gallery website and an evite, extending the exhibition’s presence across digital platforms and promotional outreach.

All design, layout, and typography for this project by Alex Stevovich.

Federico Uribe: Animals and Friends in Pencils, Books, and Bullets was an exhibition at Adelson Galleries presenting Federico Uribe’s sculptural animal works created from cut pencils, book fragments, and thousands of spent bullet shells. The project included a full exhibition catalog with a digital edition, a custom exhibition wordmark, and the production-ready artwork for the adhesive vinyl lettering. Additional materials included an invitation postcard, a takeaway card designed for display at the Art New York fair, and a four-week advertising campaign in The New York Times.

All design, layout, and typography for this project by Alex Stevovich.

An exhibition at Adelson Galleries featuring the vibrant and dynamic work of Peter Reginato, highlighting his distinctive exploration of abstraction, color, and dimensional form. The design package for this project included the full exhibition catalog with a corresponding digital edition, a virtual gallery developed for the website, and custom wall lettering created as both a printed mark and adhesive installation element. Additional promotional materials included a formal printed invitation, an evite, and a full-page advertisement in Art & Antiques magazine, establishing a cohesive and energetic visual identity for the exhibition.

All design, layout, and typography for this project by Alex Stevovich.

An exhibition at the Hudson River Museum highlighting the stunning depictions of the Panama Canal by artist Jonas Lie, exploring the monumental construction of this iconic project. The design package encompassed a wide range of exhibition materials, including wall panels with detailed caption labels, an artist's panel discussing the construction of the canal, a comprehensive exhibition catalog, and a series of promotional assets. These included a mailing invitation, an evite, a weekly newspaper ad campaign, and digital advertising to promote the exhibition throughout its run. The exhibition also featured additional signage for museum programs and events related to the exhibition.

Linda Locke, Hudson River Museum’s Director of Publications, was deeply involved in the design phase, offering invaluable insights and guidance that enhanced the overall presentation.

All design, layout, and typography for this project by Alex Stevovich.

An exhibition at the Hudson River Museum showcasing Mandy Greer’s immersive textile installations and multidisciplinary artworks, rich with myth, ritual, and narrative imagery. The design work for this project included the exhibition titling and graphic identity, a five-panel folding brochure that introduced the artist’s themes and process, and an evite used for public outreach and opening announcements. These materials established a cohesive visual language that reflected the tactile, atmospheric quality of Greer’s work.

Linda Locke, Hudson River Museum’s Director of Publications, was deeply involved in the design phase, offering invaluable insights and guidance that enhanced the overall presentation.

All design, layout, and typography for this project by Alex Stevovich.

An exhibition at the Hudson River Museum featuring a full graphic design package across its environmental panels, artist materials, and interpretive text. The project centered around a primary hero introduction panel that established the exhibition’s visual language — a clock-inspired composition with text flowing around its form, set in a modern grey and yellow theme. This styling carried through the supporting panels for artists, poems, quotes, and caption systems, creating a cohesive and contemporary rhythm throughout the exhibition.

Hudson River Museum’s Director of Publications, Linda Locke, was closely involved in the design phase, offering insights and ideas that provided invaluable support and helped elevate the project.

All design, layout, and typography for this project by Alex Stevovich.

An exhibition at the Hudson River Museum exploring the rich visual history of the peacock in art across cultures and time periods. The design package included the full suite of exhibition graphics: wall panels and introductory materials, a large framing installation surrounding the main exhibition doorway using an intricate grid of artworks, a central-atrium banner, signage throughout the galleries, an MTA poster advertising campaign, folding invitation and envelope, exhibition catalog, and newspaper and digital advertising assets. Additional themed signage was developed for museum programs and community events held during the exhibition’s run.

Hudson River Museum’s Director of Publications, Linda Locke, was closely involved in the design phase, offering insights and ideas that provided invaluable support and helped elevate the project.

All design, layout, and typography for this project by Alex Stevovich.

A scholarly exhibition exploring the artistic representations of Avalokiteshvara across Asia, highlighting the deity’s enduring significance as an embodiment of compassion and spiritual guidance. For this project, the design work focused on the exhibition publication, creating a refined and cohesive visual framework that supported the curatorial essays and illuminated the artworks presented in the show.

Linda Locke, Publication Director, was deeply involved in the design phase, offering invaluable insights and guidance that enhanced the overall presentation.

All publication design and typography for this project by Alex Stevovich.

An exhibition at Adelson Galleries showcasing the work of Jacob Collins, highlighting his rigorous classical technique and contemporary realism. The design package for this project encompassed the full exhibition catalog, produced in both print and digital formats, along with a virtual gallery website to support online viewing. A custom wordmark and accompanying graphic were developed for application as wall lettering, establishing a tailored visual identity for the show. Additional promotional materials included a large three-fold brochure invitation with a custom envelope, an evite, and a series of five weekly advertisements placed in The New York Times.

All design, layout, and typography for this project by Alex Stevovich.

An exhibition at the Lehman College Art Gallery exploring themes of migration, identity, and cultural displacement through the work of contemporary artists engaging with global and personal narratives. The design work for this project included the exhibition poster and the full publication, creating a unified visual identity that framed the show’s thematic focus and supported its curatorial vision.

Linda Locke, Publication Director, was deeply involved in the design phase, offering invaluable insights and guidance that enhanced the overall presentation.

Design, layout, and typography for this project by Alex Stevovich.

An exhibition at the California Center for the Arts, Escondido, presented as part of the Art in Nature Alliance, pairing pre–WWII plein-air landscapes with works by contemporary painters to explore the ongoing vitality of Southern California’s landscape tradition. The design work for this project included the full exhibition catalog along with a digital catalog edition. The publication’s visual approach drew from the natural luminosity of the artworks, incorporating vibrant color accents, atmospheric typography, and full-bleed detail spreads to create a harmonious balance between historical material and contemporary practice.

All book design, layout, typography, image preparation, and production coordination by Alex Stevovich.

An exhibition at the Lehman College Art Gallery exploring the enduring power of Gothic themes in contemporary art, from atmospheric storytelling to symbolic darkness and psychological tension. The design package for this project included the full introductory wall panel, an artist panel, a series of poem panels woven throughout the galleries, and a promotional poster that set the visual mood for the exhibition. Publication design elements accompanied the show as well, creating a cohesive graphic identity across both gallery and print materials.

Linda Locke, Publication Director, was deeply involved in the design phase, offering invaluable insights and guidance that enhanced the overall presentation.

All design, layout, and typography for this project by Alex Stevovich.

An exhibition at the Staten Island Museum presenting a sweeping visual history of Staten Island through paintings, prints, and archival works that trace the borough’s evolving landscape and cultural identity. As a long-running installation, the exhibition required durable and visually cohesive design solutions. The project included a comprehensive exhibition catalog, a large introductory wall panel, and a series of custom column wrappers that transformed the architectural columns of the gallery into integrated exhibition panels, unifying the narrative flow throughout the space.

Linda Locke, Copy Editor, was deeply involved in the design phase, offering invaluable insights and guidance that enhanced the overall presentation.

Design, layout, and typography for this project by Alex Stevovich.

An exhibition at the Lehman College Art Gallery examining contemporary perspectives on migration, borders, and the reshaping of cultural identity in an increasingly interconnected world. The design work for this project included the exhibition poster and full publication, establishing a cohesive visual language that supported the curatorial themes and enriched the viewer’s experience.

Linda Locke, Publication Director, was deeply involved in the design phase, offering invaluable insights and guidance that enhanced the overall presentation.

Design, layout, and typography for this project by Alex Stevovich.

An exhibition presented by Marc Rosen Fine Art in partnership with Adelson Galleries, showcasing a significant selection of Picasso’s Vollard Suite prints sourced from the stock of the artist’s original publisher. The exhibition offered viewers an in-depth look at one of the most celebrated achievements in 20th-century printmaking. The design work for this project included the full exhibition catalog along with a digital catalog edition, a virtual gallery on the website, an evite, and a custom wordmark created for both print and wall application as adhesive gallery lettering. Promotional outreach featured a four-week advertising campaign in The New York Times and an additional advertisement in the International Fine Print Dealers Association publication.

All design, layout, and typography for this project by Alex Stevovich.

An exhibition at the Lehman College Art Gallery exploring artists’ inventive use of ornamentation, shimmer, and embellished surfaces to transform everyday materials into works of enchantment and visual complexity. The design work for this project included the exhibition titling wordmark, developed as a custom graphic identity for the show, along with its corresponding adhesive wall panel. A promotional poster was also created.

Linda Locke, Publication Director, was deeply involved in the design phase, offering invaluable insights and guidance that enhanced the overall presentation.

All design, layout, and typography for this project by Alex Stevovich.

An exhibition at the Lehman College Art Gallery focusing on the expressive power of the gaze in contemporary art, exploring how artists use portraiture, abstraction, and symbolic imagery to convey perception, identity, and human connection. The design package for this project included the exhibition catalog, poster, an evite, and a folding invitation, establishing a unified visual identity that complemented the exhibition’s thematic emphasis.

Linda Locke, Publication Director, was deeply involved in the design phase, offering invaluable insights and guidance that enhanced the overall presentation. Design, layout, and typography for this project by Alex Stevovich.